|Playing Gigs with a Band||| Print ||
The culmination for any musician aspiring to play in a band is when you actually get out on stage and start playing gigs.
As much fun as gigging can be, it is also important to keep in mind some basic considerations and business issues to make the live band experience more rewarding and gratifying.
Be PunctualBeing on time is crucial to playing live gigs. This may sound like stating the obvious but I have seen bands, or band members, that don't seem to own a watch, and have the attitude that they will "play when they get ready to play".
If the gig is scheduled to start at 9:00pm and the band doesn't show up with their equipment to set up until 8:45pm, club managers can get a little nervous. They may even dock the band's pay, or worse, cancel the gig.
Show some consideration to the club and the audience by being on stage ready to play at the appointed time.
Most clubs and venues would prefer that the band is set up well in advance of the gig. Try to coordinate with the manager a time when you can get in to set up your equipment earlier in the day.
Patrons don't want to listen to sound checks and amp testing while they are eating dinner or trying to have a conversation, so be aware and respectful of that. It is their money that you will be putting in your pocket.
Coordinate TimesMost clubs have a time schedule they want you to follow. A specific starting and ending time and how long they want you to play your sets.
Some insist on a regimented - 45 minute sets and 15 minute breaks - schedule. Others are more flexible and will let you "read" the crowd.
One cover band I play in will always open up, when possible, with a 90 minute set. That's long for a lot of bands, but it tends to keep the late dinner crowd in the club longer than they normally would. When they stick around, they spend more money and the club owner is happy.
Be mindful of the "stop" time as well. If a club has a policy that entertainment ends at 1:00am it is probably for a reason. They are preparing to close the doors and want to clear out the patrons so they can get the employees off of payroll. There may also be local liquor laws involved. If you have a rowdy crowd at the end of the night insisting on "one more" try to make it just "one more". Preferably a slow song that will bring them back down to earth and out the door!
MingleWhen it's break time you sometimes just want to go outside and clear your head for a while. And you should. But don't forget the audience that makes it possible for you to be there. Try to at least stop by and say hello to some folks in the crowd and acknowledge their existence.
It will go a long way to spread some goodwill, and if they keep coming out, you will keep getting hired to play the gig.
All for OneA band is a "group" of people, not just one individual. As a guitar player it's great to get the chance to step out there and shine. Just be mindful of the fact that others are up there as well waiting for their chance to shine.
By truly listening to all the other parts and playing as a member of the "whole", you will make the band sound better. A band that sounds good will be popular and get invited to play more gigs.
Dress the Part
In a lot of bar gigs, jeans and T-shirts work well. But even in those types of gigs, dressing a notch or two above the norm won't hurt. It will help portray a more professional image.
You don't necessarily have to go out and buy a new wardrobe for upper end gigs, but these gigs usually pay a lot more than clubs, and the ones that hired you have a higher level of expectation. If you are unsure what to wear, dressing in an all black outfit, that is clean and pressed, is usually a safe bet.
It is amazing to see people who are otherwise calm and nice, turn into monsters when they get on stage. Constantly stressing out about the crowd reaction and mistakes made on stage is a recipe for disaster.
Keith Dean is founder of AdultGuitarLessons.com and a 30 year veteran of stage and studio. He toured extensively as a road musician throughout the US and Europe, was a former lead guitarist for Jason Aldean, and has shared stages with Little Big Town, Wild Rose, Winger, Confederate Railroad and more. He is a published songwriter, owned and operated a successful music store, and has instructed numerous students in guitar.